Georg Barkas
Georg Barkas is an intimacy educator, researcher, and rope bondage performer based in Vancouver, Canada. Their focus lies in the deconstruction of established norms and approaches to kink, intimacy, and sexuality. Their background in academics (physics, mathematics, history, and philosophy) is used to approach historically psychological aspects from different perspectives. Author of “Archaeology of personalities – a linguistic approach to erotic rope bondage”, as well as several articles in international magazines.
Posts by Georg Barkas
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The pursuit of ‘connective’ or ‘communicative’ rope is central to the experiences many of us seek in rope bondage. Despite this, connection and communication as concepts are slippery to define, tricky to exemplify, and often tautological in explanation. Connection is not created by a set of actions, by a particular pose, by close proximity,...
The pursuit of ‘connective’ or ‘communicative’ rope is central to the experiences many of us seek in rope bondage. Despite this, connection and communication as concepts are slippery to define, tricky to exemplify, and often tautological in explanation. Connection is not created by a set of actions, by a particular pose, by close proximity,...
The pursuit of ‘connective’ or ‘communicative’ rope is central to the experiences many of us seek in rope bondage. Despite this, connection and communication as concepts are slippery to define, tricky to exemplify, and often tautological in explanation. Connection is not created by a set of actions, by a particular pose, by close proximity,...
The pursuit of ‘connective’ or ‘communicative’ rope is central to the experiences many of us seek in rope bondage. Despite this, connection and communication as concepts are slippery to define, tricky to exemplify, and often tautological in explanation. Connection is not created by a set of actions, by a particular pose, by close proximity,...
Ranboo, literally translated means stormy, overwhelming, wild. About 10 years ago, Barkas developed Ranboo as a way of rejecting a static and often seemingly boring practice of rope bondage. A wild dance while tying with each other is the result. Ranboo is characterized by a large amplitude of variation of distance, speed, and intensity, paired...
Ranboo, literally translated means stormy, overwhelming, wild. About 10 years ago, Barkas developed Ranboo as a way of rejecting a static and often seemingly boring practice of rope bondage. A wild dance while tying with each other is the result. Ranboo is characterized by a large amplitude of variation of distance, speed, and intensity, paired...
Ranboo, literally translated means stormy, overwhelming, wild. About 10 years ago, Barkas developed Ranboo as a way of rejecting a static and often seemingly boring practice of rope bondage. A wild dance while tying with each other is the result. Ranboo is characterized by a large amplitude of variation of distance, speed, and intensity, paired...
Ranboo, literally translated means stormy, overwhelming, wild. About 10 years ago, Barkas developed Ranboo as a way of rejecting a static and often seemingly boring practice of rope bondage. A wild dance while tying with each other is the result. Ranboo is characterized by a large amplitude of variation of distance, speed, and intensity, paired...
How can we approach the big ominous terms in kink and intimacy? In the vast field of kink, sexuality, and intimacy we encounter them on almost every step. Nothing seems to be able to hide from them; if we meet them, they are often the reason for heated debates and absolutistic claims about their meaning....
“il n'y a pas de hors-texte” - there is no outside of text. Barkas’ approach to Kinbaku or bondage is one that is rooted outside of rope, outside of kink, and even outside of sexuality. It looks for its ideas in architecture, museums, amusement parks, orchestra rehearsals, and public transportation. In this workshop series exclusive...
Shame, for many, is a constant shadow, a companion that seems to hold the power for great pain as well as for great pleasure. Shame is also used in a vast discourse of understanding cultural differences and even to describe entire societies. And shame is often treated like yet another mere tool for kink...
One cannot not communicate. The smallest hand movements, facial expressions, body positions, and whatnot are adding to a patchwork of communication that is constantly at work between the tied and the tying person. A lot of that is happening subconsciously and we will never be able to mean literally everything we do. But we...









