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Reinterpreting Shibari – Floor Work

7-10 pm CEST · LGBTQIA+ & Friends
VIRTUAL

Quick Info

When:
April 1, 8 & 15, 2026 · 7-10 pm CEST
Where:
online
Format:
workshop
Constellation:
solo, paired, groups - all constellations welcome (everyone needs a ticket)
Language:
English
What to know:
Basic concepts of single and double column ties, some experience with floor work welcome but not necessary.
What to bring:
ropes, safety equipment and a partner, if you want to tie along
Recording:
Yes, the session is recorded and will be sent to all ticket holders after the class.
Questions:
Message us via info@karada-house.de

Tickets

Tickets

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Reinterpreting Shibari – Floor Work (regular) [Digital]
82,50
Unlimited
Reinterpreting Shibari – Floor Work (supporter) [Digital]
96,00
Unlimited
Reinterpreting Shibari – Floor Work (solidarity) [Digital]
67,50
0 available
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If you cannot afford this event, please check the ticket option "solidarity" for reduced ticket prices. If that is still too much or they are out of stock, feel free to send us a message via info@karada-house.de.

It has been 10 years since the passing of Yukimura Haruki, who is still regarded as the main instance when it comes to tying on the floor. His style of tying, often called aibunawa or caressing rope, followed a very distinct approach to rope and the goal of a scene and his followers mostly adhere to a relatively narrow interpretation of his teachings.

In this workshop series, Barkas will depart from what they have learned under Yukimura Haruki and explore different avenues of tying on the floor.
To take the myth of a process-oriented Shibari scene seriously we will focus on the notion of emergence in tying. How can we tie on the floor in a way that the future remains unknown? How can this container be open enough to adapt to a situation rather than an outcome?

This class is geared towards people who have already some experience with floor work but want to break free from a too narrow view on the possibilities.

April 1st, 2026, 7-10pm: Setting up the container

Key concepts through the lens of emergence.
Movement on the ground: Elephant, Archimedes, & Peter Pan

April 8th, 2026, 7-10pm: Variation of contexts

Does floor work need to be caressing? Does it need to be sexualized? Does it need to be slow? Does it need to be codified in patterns?

April 15th, 7-10pm: Suspended floor work

Suspensions close to the ground, either partial or full, add a whole category of possibilities to the game that is based on emergence.

Barkas studied under Yukimura Haruki for almost 4 years during their regular trips to Japan. In 2015, Barkas received the name Harutsuyu by Yukimura Haruki. Although they are not a licensed Yukimura-ryu instructor, Barkas’ teachings of floor work have contributed to a wider spread of and access to Yukimura’s style in North America and Europe.

Facilitator

Person holding red rope with intense expression.

Georg Barkas (they/them)

Georg Barkas is an intimacy educator, researcher, and rope bondage performer based in Vancouver, Canada. Their focus lies in the deconstruction of established norms and approaches to kink, intimacy, and sexuality. Their background in academics (physics, mathematics, history, and philosophy) is used to approach historically psychological aspects from different perspectives. Author of “Archaeo...

Learn More

https://www.studio-allegory.com/

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