Rope Basics: One Rope Play and Simple Scenes

28oct20:4522:15Rope Basics: One Rope Play and Simple ScenesLGBTQIA+ & FRIENDSEvent OverMoved OnlineVirtual Event20:45 - 22:15 FacilitatorGestalta (they/them)Categoryshibari

Health Guidelines for this Event

Masks Required
Physical Distance Maintained
Event Area Sanitized

Time

(Thursday) 20:45 - 22:15

language

English/German

Event Details

In this workshop, Gestalta will teach you options for creating a scene with just one rope.

The exact content will change according to needs but possibilities include

– creating restrictive positions,

– integrating hojo ties

– movement play etc.

Note: The price is per pair.

 

Event Details

Date & Time:  October 28th, 2021, 8.45 pm – 10.15 pm

Format: workshop

Audience:  LGBTQIA+ & FRIENDS

Language: English

Minimum Knowledge Level: either you attended our “absolute beginner” class or you know: single column tie, double column tie, tension/counter tension, lark’s head

What to Bring:  ropes, towel, or blanket (we can provide workshop ropes if you have none, you can also buy ropes from us)

Solo or Partnered: a partner to tie with, one rope (let us know if you don’t have one)

 

Safety Concept

You need to bring proof of testing (not older than 24 hours), or proof of vaccination in order to be let inside.

Hand disinfectant provided in multiple places. All surfaces are disinfected and will be disinfected in between use.

Space is limited to give more space for everyone.

We frequently air the space and also use fans for more circulation.

You must wear a mask at all times.

 

Who is this event for?

LGBTQIA+ describes the full spectrum of non-mainstream sexual orientation and/or gender identity, meaning: lesbian, gay, bisexual, pansexual, transgender, non-binary, genderqueer/fluid,

Friends describes people of any and all kinds of gender and sexual identities who are aware and respectful of the necessity, needs, and boundaries of a queer safe(r) space and its marginalized community.

When you consider yourself a friend you show acknowledgment to and are respectful of everyone’s self-expression and do not assume, presume or project non-consensual ideas onto others. You actively request and use people’s chosen pronouns. You remain mindful of the fact that Karada House is first and foremost a space for queer people that you are also invited to attend. You have a genuine concern for the well-being of LGBTQIA+ people and remain in awareness of heterosexual and gender straight privileges.

Friends don’t have to be perfect. None of us are. We request that we all pro-actively work and strive to be good friends and allies to marginalized people.

Facilitator

Gestalta (they/them)

Gestalta, Berlin: My approach to shibari has evolved as the result of over a decade of practice on both sides of the ropes and a broad range of influences that I appropriate, mix, and develop in my own practice. This has shaped my teaching style into one that seeks to reflect the experience of both tying partners on a deep level. I have a strong belief that shibari should not be prescriptive and encourage students to explore it as a flexible set of tools; adapting each tie to the body of the tied partner, and to their needs and desires within each individual situation. My teaching process aims to enable this by giving students a framework of the fundamental principles behind shibari; including safety efficiency and fluency, but also body awareness, communication, and conscious consideration of their own experiences and motivations.

I absorbed most of my technical rigging style a natural process of observation and experience from inside the ropes of the people I was tied by as a model. In this respect, I have been lucky to have had a broad range of influences to teach as Gestalta in Berlin

My technical style has naturally evolved through keen observation and firsthand experience. Previously, I had the privilege of working professionally as a Shibari model, offering me the opportunity to be tied by accomplished practitioners from Japan and Europe. These encounters have enriched my knowledge and repertoire with invaluable techniques and insights. Presently, my focus centers on the exploration of movement both with and within ropes. This ongoing research fuels my passion for pushing the boundaries of shibari and continuously expanding my understanding of its possibilities.

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